4 pages. Includes biographical information about the filmmakers.

11 pages, illustrated. Filmmaker’s bio, films shown (with the filmmaker’s descriptions), filmography, lists of home video and music releases, and remembrances by collaborators, friends, and colleagues.

8 pages. Details about each film shown, as well as original format and the originating archive.

12 pages, illustrated. Production histories, technical information, and key credits for each film shown; filmmaker info; photographs of early equipment and systems; extensive bibliography; and annotated list of select home video recommendations.

20 pages. Profiles of each film, extensive filmmakers’ quotes, production histories, and rare info about the original musical accompaniments. Also overviews of the Dada movement and its cinema, bios of the shows’ live accompanists, annotated bibliography, and lists of home video and audio recordings.

7 pages, plus poster art. Creator credits for each segment, exhibition history, lengthy production reminiscence by Hans Richter. Also lengthy quotes by Douglas Crockwell (maker of Glens Falls Sequence, also shown). Annotated bibliography, index of press coverage, and related home video releases.

15 pages, plus poster art. Detailed profiles for each film shown, with production histories, filmmakers bios, and credits. Also introductory articles on trick films and fairy plays. Annotated bibliography, including home video releases.

2 pages, plus poster art. Production history of the original 1922 film (including credits and premiere dates), background about Antony Balch and his 1968 revision, preservation history, short annotated bibliography. Also, info about the shorts included in the program.

10 pages. Detailed profiles for each film shown, with production histories, filmmakers bios, and credits. Annotated bibliography, including home video releases.

2 pages, plus poster art. Cast, crew, and premiere date info for each film shown. Annotated bibliography.

13 pages, illustrated, plus poster art. Detailed profiles of each film shown: release dates, cast and crew, capsule summaries, production histories, filmmaker bios, and annotated listings of related resources (books, articles, websites, home video). Also an annotated general bibliography.

2 pages, plus poster art. Capsule info about each film show and the music selected as accompaniment. Brief bibliography.

16 pages, illustrated, plus poster art. Extensive background about Hallelujah the Hills: cast and crew, key dates and awards, filmmaker’s quotes, and a critical essay. Filmmaker’s bio, interview excerpts, filmography, remembrances by friends and colleagues, annotated bibliographies for Mekas and the New American Cinema movement. Also, “The First Statement of the New American Cinema Group” (1962).

10 pages, plus poster art. Detailed profiles of each film shown: capsule summaries, production histories, filmmaker bios, background on music used, cast and crew. Annotated bibliography and home video recommendations.

15 pages, plus poster art. Profiles of each film shown: capsule summaries and credits; quotes from the filmmaker, reviews, catalogs, and program notes; awards won. Filmmaker bio, film preservation and distribution info, misc. quotes, and Breer’s “A Statement” (1959). Annotated bibliography, home video and streaming recommendations.

14 pages, illustrated, plus poster art. Detailed profiles of the films shown, The Devil’s Cleavage (1973) and Hold Me While I’m Naked (1966). George’s life and work as told in his own words through several articles, book excerpts, interview excerpts and quips, including “George Kuchar’s Parting Message to the People of the Future.” Honors and film preservation status. List of selected writings and comic books by Kuchar, annotated bibliography, home video and documentary recommendations.

11 pages, illustrated, plus poster art. Profiles of each film and anthology shown, including original catalog descriptions (when available), key personnel, precise production dates and locations (when known), historical background. Annotated bibliography and home video recommendations.

8 pages, illustrated, plus poster art. Front cover is a reproduction of the original 1916 souvenir program. Detailed history of the film’s origin, production, public reception, and alternate edits. Cast and crew, production and premiere dates. Annotated bibliography.

24 pages, illustrated, plus poster art. Detailed profiles for each film shown: stills, filmmaker statements and interview excerpts, critics’ reviews and essays, artist bios, annotated lists of related resources (books, articles, home video, websites).

10 pages, illustrated, plus poster art. Profiles of each film shown, with capsule summaries, production histories, filmmaker bios, critical praise, and production credits. Annotated bibliography and home video recommendations.

2 pages, plus poster art. Cast, crew, and production credits; awards won; alternate versions.

7 pages, plus poster art. Filmmaker’s statements, credits, awards won, critics’ quotes. A lengthy 1967 interview with Snow about Wavelength, by Jonas Mekas and P. Adams Sitney. 1993 interview excerpt discussing Breakfast (Table-Top Dolly). Biography, partial filmmography, select bibliography.

12 pages, illustrated, plus poster art. Profiles of each film shown: capsule descriptions; quotes and discussion drawn from interviews and writing by the filmmaker, collaborators, historians, and critics; credits and first screening dates. Filmmaker biography, select quotes from interviews. Bibliography and catalog of home video releases (all tragically out of print).

10 pages, illustrated, plus poster art. Brief descriptions of each film, sound process used, production credits. Extensive annotated bibliography and home video recommendations.

10 pages, illustrated, plus poster art. Annotations for each section of the film, by Brakhage and P. Adams Sitney. Writings about the film from the MOMA Circulating Film Catalog and by Marilyn Brakhage. “Stan Brakhage on Dog Star Man,” condensed from interviews with the filmmaker. Excerpts from an interview with Brakhage by Pauline Kael. Filmmaker’s biography. Also, profile of the short Legendary Epics Yarns and Fables. Part 2: Stan Brakhage (also shown) and filmmaker Stephen Gebhardt. Bibliography of books and writings by and about Stan Brakhage.

9 pages, plus poster art. Profiles of each film shown, with filmmakers’ statements, excerpts from articles and books, bios and background, and production credits.

7 pages, plus poster art. Descriptions and profiles of each film, with artist statements, excerpts from catalog and writings, bios, historical background, and awards won.

7 pages, plus poster art. Profiles of each film and its maker, drawing from interview quotes, article and book excerpts, catalog information, and original research. Production credits and home video sources (if any) are given. Includes a bibliography.

15 pages, illustrated. Plot summaries for each film (some quoted from the original Star Films catalogs), plus original notes about their production history and background. An article detailing the tumultuous history of the near-total loss, re-discovery, and preservation of Melies’ films. Capsule bios of the musicians whose music was used for the program. Stills from each film, plus behind-the-scenes photos of production and facilities at Melies’ studio. Annotated bibliography and list of related films and home video.

2 pages, illustrated. Film credits, reproductions of original promotional art.